All Comment articles – Page 20
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London prepares to welcome the world
London TV Screenings is a celebration of the very best in programming
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10 reasons why I quit production
Fanta Jarjussey worked in production for 13 years before opting to leave, below is her open letter to the industry published in full
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Faraz Osman: Don’t let the UK’s thriving kids’ content sector wither
With the BBC licence fee frozen and the YACF culled, this vital part of the industry needs as much support as it can get
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Getting to the bottom of comedy’s cancel culture
Comedy is about saying the unsayable but in a fast-changing landscape it’s hard to know what is acceptable
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Best firms strike the right balance for staff
‘A diverse cadre of companies has recognised the challenges and is addressing them head on’
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Transforming production through digital transformation
Karen Dewey of Lumi.Media offers three ways the TV industry can unlock the power of digital transformation
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Why inclusivity and healthy culture are key for indies
Indielab’s Victoria Powell sets out the commercial imperative for inclusive leadership as the 2022 TV Accelerator opens for applications
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Campaigning for screenwriters
Lisa Holdsworth looks ahead to the second half of her term as WGGB chair
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How to network like a ninja
Former BBC commissioner and Fast Track to Fearless chief Tracy Forsyth shares five tips for getting ahead
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A new way to monetise indie films
Rishi Kapoor from Paus TV explains why he created a streaming platform for indie films, run entirely by tipping
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Apprenticeships can ease the headache of talent schemes
During National Apprenticeships Week 2022, BossaNova marketing manager Jasmin Joseph reflects on how her opportunity ignited her career
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BBC3 revival is good for society
Digital UK chief Jonathan Thompson argues that return of linear channel represents true value
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Year of the Tiger will hear Asian content roar
TVF International’s Julian Chou-Lambert sees potential for risk-taking, adventure, and possibility for continent’s ambitious producers
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Comment: Connections are what drive our creativity
Creative Coalition Festival director Maia Krall-Fry looks forward to celebrating success and driving forward essential change
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Production is booming – but it might not be permanent
Beyond 2022, there are questions about whether high spending can be sustained, and which streamers will survive, says Kate Bulkley
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Morse owes its longevity to breaking the mould
After 35 years and three different iterations, the franchise has racked up 750 million global views and shows no sign of stopping, says John Mair
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Making sure Muslim stories are portrayed accurately
Sajid Varda reveals how charity UK Muslim Film helped C4’s comedy drama Screw avoid misinformed stereotypes
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What is the True Potential of 5G for Video Contribution?
Kieran Kunhya of Open Broadcast Systems, explains why 5G will have such an impact on live production
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Harsh Reality: telling the story of Miriam Rivera
Willard Foxton on why Novel set about revisiting the exploitation of a trans woman in an historic TV programme
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How Tech Innovations enhanced The Green Planet
Rupert Barrington, series producer on forthcoming BBC series The Green Planet on how tech transformed the natural history series