All Comment articles – Page 173
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Taking the Shetlands into the digital age
I want to dispel some myths and I want to challenge the idea that some of the UK’s most inspiring and creative places are out of bounds for broadcasters and content generators, writes Gwilym Gibbons.
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BBC licence fee freeze
Once again the BBC finds itself between a rock and a hard place, writes Medwyn Jones.
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How to harness the power of three for pilot sitcoms
BBC4’s three-series concept is the perfect introduction for comedy, says Andrew Ellard.
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Frozen licence fee hints at tough future
Cutting £144m from the BBC for the sake of saving people less than £3 a year seems out of kilter, writes Chris Curtis.
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A golden age – then and now
Despite what the critics say, British kids have never had it so good, writes BBC Children’s director Joe Godwin.
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Hunt's revolutionary road
Creative boss must shake up C4 while retaining its experimental ethos.
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International iPlayer ideal time to innovate
The BBC’s decision to roll out the iPlayer globally is a welcome - albeit long overdue - move but it must now ensure it delivers both a comprehensive and profitable commercial service, writes Alex Farber.
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Robinson on Capital Radio
It has taken a mere 37 years for Capital to transition from being a local London station to a potential national brand, and 21 years for Galaxy to rise out of a failed Bristol station to be axed, following the change in strategy announced by owners Global Radio, writes Paul ...
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Broadcast Hot Shots party 2010
PICTURE GALLERY: On a suitably balmy summer’s evening at the suitably named Envy, Broadcast threw a party for this year’s Hot Shots.
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Never mind getting in, aim high and try to get on TV
Behind the scenes or in front of the camera? Stephen D Wright sides with being the star in the first of a regular column for Broadcast.
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We must tweet, but should not lose sight of the reality
Social media is key in today’s news landscape, but it has its limitations, writes Craig Oliver.
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Thompson’s search for support
Forget attacking Sky, the MacTaggart was about cosying up to PSBs
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What does C5 really stand for?
As more top execs exit, uncertainty over the channel’s direction increases.
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Catching new talent in the web
Grant Michaels is turning to social networks to find the next wave of broadcasting talent.
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Who will have the last laugh?
Producer Norma Burke recalls her time at this year’s Edinburgh TV Festival to reflect on what the future holds for comedy on British television.
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U Be Dead, ITV1
Elinor Day, producer of new ITV1 drama U Be Dead, takes Broadcast behind-the-scenes of the true life thriller.
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An investment in people is an investment in our future
A strong industry is reliant on training staff to be effective leaders, writes Alex Mahon.
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Where are the female techies?
Attracting more women into engineering roles will drive innovation, writes Naomi Climer.
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No big idea, but fight is on
Thompson’s MacTaggart lecture laid down the gauntlet to BBC’s critics.
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Killing off The Bill was a crime
As ITV finally pulls the plug on The Bill, after 26 years and 2,400 episodes, location manager Malcolm Treen wants to know why.