All Comment articles – Page 165
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BFBS: extreme engineering
Quentin Howard reveals the extreme engineering behind forces radio and TV service BFBS.
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Robinson on the Myers Report
When it comes to sacred cows John Myers report into savings across the BBC’s popular music radio networks slaughters a whole field, but its findings will be popular with staff and listeners, writes Paul Robinson.
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Television patience
As 2,000 eager delegates gather at Sheffield Doc/Fest, award-winning producer/director David Pearson recounts the experience of making the heart warming story of a new ‘buoy band’ with a collective age of 560, and explains why real ob docs deliver stories unlike anything else.
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ITV’s got talent for factual
Thought-provoking docs are nothing new for us, says Peter Fincham.
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The golden age of the documentary is now
Those who say the genre is in decline couldn’t be more wrong, argues Hamish Mykura.
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Wimbledon in 3D - and why it matters
The BBC’s decision to air this year’s Wimbledon finals in 3D gives Sky’s John Cassy confidence that the UK will continue to break new ground in this area.
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Educating consumers is key to protecting copyright
The public need to know where they can legally acquire the content they want, says Liz Bales.
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ITV reveals its serious side
Gritty docs add to broadcaster’s brand value - and its viewing figures.
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Driving the demand for data
SeeSaw’s demise puts the spotlight on YouView, says Kate Bulkley.
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View from the North
A growing creative economy in the North East has been overlooked by a new Government fund and unless the focus is shifted it could spell catastrophe for the region as a whole, writes Tom Harvey.
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TOWIE and co: here to stay
Structured reality, in whatever guise, has earned a place in the schedules.
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How Clarke’s gaffe became a gift for Question Time
The justice secretary’s appearance was timely, but it wasn’t planned, says Steve Anderson.
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Delivering on C4’s promise
Our ‘mission with mischief’ is as important as ever, says David Abraham.
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BBC3 is giving a break to first-time directors
In response to last week’s editorial (‘Contrasting commitments’, Broadcast 20.05.11), I would like to clarify that BBC3’s Fresh strand continues to give first-time directors their break into primetime film-making, with six hours up for grabs annually.
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Training for the future
As opportunities for training and employment continue to shrink, the BBC is stepping in where it can, writes Peter Salmon.
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Doing the sums on M&A
Global distribution is driving renewed interest in indie acquisitions.
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Money to spend, but how?
C4 shouldn’t be too reserved with its reserves, writes Kate Bulkley.
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Training has to step up to avoid a creative vacuum
The approach has to change if innovative film-making is to thrive, says Andy Glynne.
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The Hargeaves Review
The “determinedly non radical” Hargreaves Review will disappoint some says Mark Owen.