All Comment articles – Page 140
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Comment
DEBATE: House Of Cards – are you “shitting it”?
Has the $100m investment and 13 episode launch changed perceptions of Netflix?
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Diversity: keeping the digital doorways open
Bring BAMEs into the heart of mainstream digital content, says Simone Pennant
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NATPE is the place to get deals done
“Content First” tagline perfectly sums up the event says Leila Monks
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Characters a must at Realscreen
Finding noisy, engaging and unique personalities is the holy grail says James Burstall
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Protect international coverage
Ofcom has a key part to play in keeping foreign affairs on TV
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Women are saying it loud and clear: listen to us
No excuse for expert women not having a voice, says Caroline Criado-Perez
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Stonker? No, let’s have a stinker
The programmes we all love to hate generate the greatest buzz, says Steven D Wright
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TV credit lives up to the hype
Tax relief will transform UK production sector, says Charles Moore
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If classic cars could talk...
NGC’s Car SOS host Tim Shaw on discovering people love cars as much as their kids
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DEBATE: What should 'London TV' look like?
The Evening Standard has won the local licence for the capital. What are its chances of success?
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Support women to have their voices heard publicly
Emma Mulqueeny on getting to the stage where gender balance isn’t an issue
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STV aims to become local hero
Hyper-local strategy could be a winner in Scotland, says Kate Bulkley
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From Apprentice to The One Show
Luke Boatright charts his journey into the TV industry via a BBC apprenticeship
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Science made easy at Expert Women's Day
Never underestimate your abilities says Dr. Emily Sidonie Grossman
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Outsiders bring new insights to regional comedy
Chris Jones explains why ‘outsider’ Adam Hills adds value to Green Inc’s latest show, Monumental.
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Children’s TV should aspire to compete with the best
Budgets shouldn’t hold us back from making world-class shows
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Features
Downton the benchmark for high-class drama
Ovation wants commercial, classy co-pros with UK indies, says Peter White
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DEBATE: Should the BBC have edited racial language from Fawlty Towers?
Are racial terms suitable for a family audience?
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So what for the TV Industry from CES?
4K has the potential to disrupt the TV distribution landscape