All Comment articles – Page 13
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Gearing up for a world without traditional broadcast TV
Pierre de Lannoy at MiQ discusses how the industry can adapt to an internet-only TV environment
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Top 10 comment articles of 2022
Including Ian Katz, Marcus Ryder, Jules Hussey and Steven D Wright
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Mike Darcey: Bob Iger has his work cut out to bring back Disney magic
The problems the former chief executive has been brought back to fix are the result of his own strategic calls
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Using Dolby Atmos to distribute production music
Garry Judd at Artful Production Music explains why libraries should look to offer Dolby Atmos music mixes
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Scott Bryan: Rebranding channels can create confusion rather than clarity
Updating long-established channel and platform names for the streaming age doesn’t always pay off
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No one wins if the balance of reboots tips too far out of kilter
It makes sense for broadcasters to play it safe, but reboots are limited and offer no guarantees
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Paul Sumpter: Creating the new sound of ITV and ITVX
The creative director of the sound house behind the musical aspects of ITVX explains how it came about
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COMMENT: A smarter way to work with metadata
Sunil Mudholkar, vice president of product management at EditShare on the value of handling metadata more efficiently
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Broadcasters overlook the Midlands at their peril
The Midlands region accounts for more than a quarter of BBC licence fee income - it’s time some of that was reinvested, Will Hanrahan says
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Sign2Win is quietly revolutionary television
The gameshow featuring Deaf contestants, host and crew has challenged the industry to produce more gripping, inclusive TV
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How AI can automate multi-language dubbing
Jesse Shemen, co-founder and CEO of Papercup explains how AI can help your content reach big global audiences on FAST platforms
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Stripped shows and indie deals prove factual firepower
The genre is showing its strength with a raft of indie acquisitions and some bold and punchy scheduling
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Confidence takes a hit as costs rise
‘The economic situation is having an impact on commissioners’ appetite for risk’
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Danny Brocklehurst: Think hard before bringing a real-life murder case to screen
Audiences love true crime, but film-makers need to consider its impact on the community involved, says Danny Brocklehurst
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Kate Bulkley: Economic uncertainty won’t put the brakes on M&A boom
Hunger for intellectual property will continue to drive acquisitions from strategic buyers in spite of rising debt costs, says Kate Bulkley
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Faraz Osman: What’s the alternative to Twitter?
Broadcasters and producers have few other ways to connect with audiences and get feedback on their shows, says Faraz Osman
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Life rights – a ‘mostly true’ story
Adapting a real-life narrative often means navigating a complex range of legal issues, says Nick Swimer
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Risk-taking is required to find next gen hits
Telly’s not rubbish says Andrew Newman, but it wouldn’t hurt if it got a bolder
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Tech updates offer a photo-real future for virtual production
Rob Chandler of Morden Wolf explains why Unreal Engine 5 and nVidia’s 4000 series graphic card will revolutionise virtual production
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COMMENT: The value of hands-on training for creative roles
Rachel Nicholson at Backstage Academy highlights the importance of a skills-based education