All Comment articles – Page 12
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Simon Evans: Bringing down the curtain on Staged
The lockdown comedy is the product of a strange time, but it continues to resonate even as it draws to a conclusion
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Black Mirror: reflections on true crime
Charlie Brooker’s pastiche in Loch Henry serves to reinforce the importance of the documentary staple in popular culture argues Will Hanrahan
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Nick Swimer: How the Media Bill could modernise due prominence
Moves to make ‘due prominence’ requirements fit for the digital age are long overdue, and much is still unclear
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Marcus Ryder: AI presents an existential threat to media diversity
Here’s how we can protect the precious progress with have made on diversity from the biases built into artificial intelligence
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Andy R. Worboys: Why I’m quitting as an editor
The industry’s refusal to take a chance on people is making docs look samey - and worse, it’s driving talent out
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Gwenda Carnie: Deal-making tips for creative people
Ahead of the Sheffield Doc Fest, here are some helpful hints for a moment creatives anticipate and dread in equal measure
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John Cassy: It’s early days, but Apple’s virtual reality headset really could change everything
VR will bring in new ways of experiencing and telling stories – and the TV world must be prepared to evolve
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The Future of sustainability in the broadcast sector
With World Environment Day encouraging action for the protection of the environment, Adrian Pennington talks to tech companies about their sustainability plans
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Stephen Arnell: Never mind the optics, show me the money
It’s an arrogant mistake to award sizeable bonuses to C4’s top team shortly after cost-cutting measures left producers in the lurch
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Faraz Osman: Under-representation persists but there is cause for optimism
Younger generations are exploring their identity on their own terms and the way they support each other is inspiring
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Fatima Salaria: Taking time out has given me a fresh perspective
The value of journalism and the challenges that women and people of colour face have been brought into focus, says Fatima Salaria
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Training needs to adapt to TV’s specific needs
Seetha Kumar: Government-backed apprenticeships have given emerging talent a break, but they have exposed faultlines in the system
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Schedules and familiar shows take us back to the future
Clear release patterns and even clearer programme concepts appear to be the order of the day
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Rescue the relationship between public service content and young people
Reach audiences where they are, rather than where we think they should be, says Emma Scott
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How pots of funding can help middle ground indies
Candour Productions director of development Hannah Demidowicz on the vital support available to indies
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Comment: unpicking the slowdown with Talent Manager data
The volume of jobs being advertised is well down on pre-pandemic levels, says Sarah Lee
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The growing influence of gaming VFX on the film and TV industry
Allan Poore at Unity explains how the lines between gaming and film technology are more blurred than ever
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How we brought Eurovision to UK viewers
dock10 studio manager Adam Balcombe reveals the facility’s work as a production base for the BBC’s transmission
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Sara Putt: While we celebrate our industry’s excellence, let’s remember tomorrow’s talent
We must level the playing field if we want the best creatives, says the deputy chair of BAFTA and chair of the BAFTA TV Committee
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The creative use of generative AI in post-production
Graham McGuinness at Jigsaw24 Media explains how AI is already helping post-production with creating technical grades and post-producing scripted content