All Comment articles – Page 11
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Christopher Yip: TV must trust people of colour to tell their own stories
The industry needs to embrace the wealth of talent that exists if it wants to make honest, authentic shows
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Chloe Sarosh: Why we need new voices in natural history
Wildstar Films’ executive producer explains why increasing diversity in wildlife films is crucial
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Tweaks to distribution models point to more flexible future
Format deals are back with a bang thanks to the fresh thinking and bold partnership behind The Traitors
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Factual leads the charge in Cannes
“Unscripted programming is the driving force as documentary accounts for half our Hot Picks”
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Competition in the streaming business is growing FAST
Revenues from free-ad supported TV channels are predicted to triple by 2027 and the battle is on to win the biggest share, says Kate Bulkley
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It’s time for an overhaul of TV ratings
Pierre De Lannoy, EMEA Strategy Director at MiQ on how TV ratings need to keep up with changing viewing habits
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Will Hanrahan: look to journalists when setting true crime standards
Established journalistic good practice balances ethical conundrums with exposing wrongdoing – so let’s not reinvent the wheel
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What can Wrexham’s Hollywood takeover teach other sports brands?
Chris Whitson, global head of strategy at creative agency Iris, explains how other rights holders could follow in Wrexham’s footsteps
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Job uncertainty threatens progress made on diversity
Great strides have been made in attracting people from diverse backgrounds – but now we need to keep them, says Lorraine Heggessey
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Julia Lopez: Let’s make sure the UK keeps making brilliant kids’ TV
The DCMS minister explains how the government plans to ensure children can continue to access inspiring, life-enriching British-made content
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Talent crunch poses questions we desperately need to answer
The logjam has finally eased off – so now is the time to get stuck into practical solutions
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Bumps along the road to recovery
‘Given what we have all endured, there is much to celebrate in this year’s survey’
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The key to not ruining a good series: knowing when to stop
It’s tempting to continue season after season with a hit series, but that’s when you put its legacy at risk, says Danny Brocklehurst
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Breathing exercises can’t fix production’s mental heath crisis
Instead of mindfulness tips, production companies and broadcasters should be offering up the cash to make workloads manageable, an anonymous freelancer says
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Robin Elias: We forget the sacrifices of frontline news teams at our peril
20 years on from the start of the Iraq war, the International News Safety Institute chair reflects on colleagues he’s lost and the value of their work
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Joanna Carr: In an increasingly turbulent world, we need brilliant current affairs
Powerful reporting that delves behind the headlines has never been more necessary - fortunately, TV journalists are delivering
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Vine FX: Why we moved out of Soho
Michael Illingworth of Vine FX explains his company’s journey out of Soho to Cambridge while establishing a global workforce
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Charlene Chika Osuagwu: ‘Paula’ shows how much still needs to change
The producer of Curious Films’ Paula Yates doc reflects on the questions the film raises over the treatment of women in the public eye
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Why do BBC’s editorial guidelines still carry foreword by Tony Hall?
Staff are raising the question because the guidance is fronted by DG who left almost three years ago, writes Tara Conlan
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CITV closure not surprising but ITV’s attitude to children’s TV is “unfathomable”
Children’s Media Foundation director Greg Childs says ITV’s approach is a “big mistake”