All Comment articles – Page 109
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Behind The Scenes
The Paedophile Hunters, Channel 4
Making a film with secret filming, thorny legal issues and explicit material is not for the faint-hearted
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Festivals are vital for small indies needing attention
Sometimes you have to make the doc first then find a broadcaster, says Paul Crompton
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Audiences are driving TV’s path
TV consumption shouldn’t be an alien concept, says Kate Bulkley
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Traits a super-indie boss needs
All3Media requires a strategic thinker, not necessarily a ‘creative’
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Trainees: a risk worth taking
We started The Garden’s trainee scheme out of desperation - but now can’t imagine life without it
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TV originality? That’s so last year
Who needs fresh ideas when we can just rehash past successes, asks Steven D Wright
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A week of waiting and watching
From Scotland to Shine to Sony, new relationships will be tested
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TV's hunt for a new reality
Broadcasters should give the genre a twist, urges Claudia Rosencrantz
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Scottish TV stands on the brink
A ‘yes’ vote would bring complex and seismic changes to the Scottish broadcasting system, writes Nigel Walley
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TV spectrum is under threat
Broadcast RF’s Nick Fuller calls on Ofcom to safeguard the radio frequencies used by broadcasters
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The importance of agility, data and talent
There is an unprecedented opportunity for broadcasters that understand consumers’ needs, says Gavin Mann.
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C5 poised for profile boost
Thanks to Viacom’s scale, the broadcaster will be parking its tanks on Channel 4’s lawn, says Stephen Arnell
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Time to consider cameras in court
Pistorius trial has opened up the debate, says Simon Bucks
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Size matters for TV behemoths
But creating value, not just owning content, is key, says Kate Bulkley
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Another consultation, anyone?
Retransmission row escalates as PSB and pay-TV battle lines are drawn
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Connected broadcasting: TV anytime, anywhere
The TV industry is in a period of continuous technological innovation, says Tom Cape
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Making the big screen leap
Friday Download producer Jeremy Salsby is about to turn a studio magazine show into a movie.