All Comment articles
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The remarkable history of The Moving Picture Company (MPC)
Mike Luckwell takes a trip down memory lane as he reveals the origins and incredible growth story of the globally renowned VFX house
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Weekly: What I learned from my first rodeo at SXSW
What drew Blue Ant Studios’ Lilla Hurst to attend the Austin event and what did she find when she got there?
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TV must acknowledge its ageism problem
Dr Carole Easton on why a recent parliamentary report should herald a watershed moment for on-screen representation of older people
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IWD 2025: Encouraging opportunities for women in technology
Grace Boswood, technology & distribution director at Channel 4, explains how the broadcaster is seeking to accelerate change in the industry
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IWD 2025: How to make tangible steps towards lasting change
Victoria Poole, founder of IfNotNowWhen, on moving beyond conversations about gender equality and doing something about it
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IWD 2025: Championing diversity and inclusion in the creative industry
Amanda Luckwell, co-founder of Unit, explains how she is leading the charge to accelerate action towards achieving gender equality
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Q&A: How do we deal with overwhelm after a restructure?
In the third piece in a series, executive search and coaching company Quicksmith explains the best approach to supporting staff in the wake of cuts
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Why AI demands a radical re-think around recruitment
Particle6 Productions’ chief Eline van der Velden on picking appointments carefully
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Mip London & Screenings - The Great British Cocktail Party
Format expert Siobhan Crawford on Mip London and London TV Screenings
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BBC facing end of an era as Charlotte Moore departs
Chris Curtis: The corporation’s CCO skilfully navigated the streaming revolution, and her role has never been bigger – or more challenging to fill
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Kate Bulkley: The industry needs a more sustainable business model
Following the LA fires, Covid and the US strikes, shows that are repeatable with the ability to go global are key
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What Neighbours can teach us about work culture
Richard Wallis argues the soap demonstrates a model for better ways of working
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Danny Brocklehurst: Unique British comedy must not be allowed to disappear
Though our humour may not always travel, fresh and innovative stories about life in the UK remain vital
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Adapt or get left behind is the indie mantra for 2025
Open-mindedness and agility are crucial for producers to succeed, writes Indielab founder Victoria Powell
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No time to DEI: Why the industry can’t stop now
Whisper CEO Sunil Patel on why the industry still has a long way to go on diversity and inclusion
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True crime needs honesty, not sensationalism
Criminology professor David Wilson looks at the upcoming trends in the true crime genre
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London TV Screenings raises the bar
Submissions for this year’s Hot Picks up nearly 50% as buyers flock to London
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Closing the creative skills gap needs real-world collaboration
The benefits of face-to-face training go both ways, says Adam Perry of LMA
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Lisa Campbell: We have the opportunity to democratise the industry
Amid the current uncertainty and barriers, we have the chance to celebrate brilliant regions like Bradford
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We cannot afford to be blasé about freelancers leaving the industry
A shrinking freelancer pool is seen as inevitable but, Richard Wallis argues, it’s an existential crisis