All Broadcasters articles – Page 139
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NewsBBC hunts sustainability chief
Responsibilities will include reducing net emissions to zero by 2030
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NewsJames Graham to pen BBC1 crime drama
Brexit: The Uncivil War and Quiz creator ties with House Productions
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NewsSunak hails Covid insurance scheme after 40-plus claims
Treasury’s £500m Production Restart initiative has supported 160 titles since October
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NewsMorning wrap: Netflix appointment; RTS Journalism awards
Former Disney exec joins global streamer and annual journalism awards shortlist revealed
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VideoBloodlands, BBC1
Four-part series about a veteran officer who digs into his past to solve a cold case. Debut commission for HTM Television
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NewsSarah Muller takes on new BBC Children’s role
Acquisitions head to commission and buy content for 7-12 year olds
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NewsFogle explores Chernobyl for C5
Banijay-owned Remarkable behind 90-minute film commemorating 35 years since the nuclear disaster
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NewsITVS launches production scheme
Placements will offer trainees experience at indies such as Potato, MultiStory Media and Mammoth Screen
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CommentDiscovery+ is well placed to follow in Disney+’s footsteps
Factual broadcaster can leverage global linear channels and pay-TV relationships to boost streaming service, says Kate Bulkley
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The Broadcast InterviewHow Mitchell & Webb got Back on screen
The comedy duo on their 25-year partnership and the obstacles they had to overcome to get the second series of their C4 sitcom on air
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NewsPeter Bowker names disabled writer team
Genevieve Barr among five selected to co-write A-Word spin-off for BBC1
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NewsBectu seeks C4 meeting over Gogglebox allegations
Targets broadcaster after failing to sit down with producer Studio Lambert
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NewsC4 features and formats comm eds find new homes
Jo Street, Alf Lawrie and Phil Harris take on new reports
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NewsGold orders French and Saunders special
Double Yellow single follows similar Vicar of Dibley doc revealed earlier this month
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Behind The ScenesMel Giedroyc: Unforgivable – creating comedy in lockdown
We’d nearly finished filming our panel show when production stopped, but we adapted, says Dom Wells-Martin