All Broadcast Magazine articles – Page 35
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FeaturesThe truth about disability in TV
Six people with disabilities open up about their lived experiences of working in the industry and how it could be improved
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FeaturesDisability report highlights ‘untapped potential’
CDN review urges industry to better leverage 14m strong group
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CommentDisabled people must be part of the conversation
Any solution for getting more disabled people into the industry should take into account our lived experience, says Caroline O’Neill
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CommentMisconceptions and biases are holding back progress
If we are to bring down the barriers to our industry, we need to change the narrative around disabled talent, says Deborah Williams
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CommentMaking the economic case for C4 is key to winning the fight
Broadcast editor Chris Curtis calls on the industry to argue that privatisation doesn’t stack up commercially
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FeaturesThe battle for C4’s future gets political
With Conservative advocates thin on the ground - what are the broadcaster’s prospects?
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FeaturesCreative review: Football, make-up and punk rock
From mixing interview and archive footage to colour-grading period beauty looks and creating a 100-strong choir
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FeaturesSky Documentaries hunts for stories with a ‘premium feel’
Biographies, music, crime and contemporary history docs are on the wanted list for docs director Poppy Dixon
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RatingsGenres - 28-day consolidated (April 2021)
Including top 10 drama, entertainment and comedy programmes
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RatingsFree-to-air shift sends Sky Arts soaring
Channel boosted by Freeview move, though its performance has dipped after an initial surge
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RatingsEasttown keeps Sky viewers hooked
HBO drama follows in the footsteps of The Undoing with a big-name female lead and strong ratings
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RatingsC4 finds more joy in Irish comedy
Gleeson brothers’ Frank Of Ireland is the broadcaster’s best 10pm sitcom launch since Derry Girls in 2018
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RatingsLine Of Duty saves the best till last
Finale achieved BBC1’s best drama rating since Bodyguard as hunt for the fourth man reached its climax
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RatingsITV comes out on top in drama clash
Stripped series Innnocent beats BBC1’s The Pact opposite, but the latter pulls in a larger ABCI audience, says Stephen Price
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FeaturesBuyers expand horizons as US shows dry up
The acquisitions landscape is changing as major studios retain content for their own streaming services & networks look elsewhere for deals
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CommentWhy is there still a stigma about coming out as disabled?
My own experience offers an encouraging sign that the industry is on the normalisation path, says Stu Richards
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FeaturesGlued to the Screen: Sir Alex Ferguson: Never Give In
DNA Films doc combines access and archive to winning effect, says Rab Christie
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CommentStand up and be counted on issues that affect our industry
It’s time to make sure our voices are heard when it comes to creative sector public policy, says Peter Bazalgette