All Broadcast Magazine articles – Page 33
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RatingsSky Docs finds rich rewards in scandal
Ghislaine Maxwell: Epstein’s Shadow achieves channel’s second best rating since launch
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FeaturesGrowing up fast: the rise of AvoD
Though still to make a mark in the UK, AVoD platforms have exploded in the US, with those offering a ‘lean-back, linear experience’ the most in demand
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FeaturesGlued to the Screen: The Parisian Agency
Netflix’s French original turns the dial on the property format and adds some Gallic flair
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FeaturesSlow progress on industry diversity
A year after a wave of major representation commitments by the UK’s biggest broadcasters, there is still much to do
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FeaturesSue Murphy: broadening youth appeal on ITV2
Channel set to add darker tone to non-scripted entertainment slate with stories centring on social media
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The Broadcast InterviewPeter Langenberg: ‘Banijay needs to get bigger’
The group’s chief operating officer on why the super-indie is not resting on its laurels
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The Broadcast InterviewBanijay UK: reaping the benefits of scale
Lucinda Hicks and Peter Salmon on the ESUK merger’s advantages and their plans to supersize development and the indie roster
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CommentOlympics highlights the shift in power away from PSBs
Sub-licensing deal with Discovery leaves viewers disappointed and illustrates the tough challenges facing the BBC, says Scott Bryan
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Features9/11: One Day In America
‘We knew we had a responsibility to show what happened without sanitising the truth because so many of these deaths were horrendously violent’
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Features9/11: Inside The President’s War Room
‘The film is a unique attempt to capture the emotions, arguments and dilemmas at the top of government when faced with an unprecedented attack’
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FeaturesIn The Shadow of 9/11
‘These men spent years in prison cells thinking about what happened and were able to give considered, thoughtful accounts of a crazy situation’
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FeaturesSurviving 9/11
‘I wanted to make a very personal film about ordinary people caught up in an extraordinary event’
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Features9/11: the day that changed everything
Arthur Cary, Dan Reed, Daniel Bogado and Adam Wishart discuss their approach to their docs on the 20-year anniversary of the tragedy
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Behind The ScenesTonight With Target: black culture takes centre stage
BBC3 music format aims to reinvigorate the genre by putting a new generation of black British artists in the spotlight
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CommentDon’t write off C4 – pushing boundaries is still in its DNA
It may not be the risk-taker it once was, but C4 still offers inspiration to many, says Danny Brocklehurst
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FeaturesDavid DeHaney, Proper Content
‘The main reason I’m concerned about privatisation of C4 is the potential loss of risk-taking. C4 is the primary terrestrial incubator of innovation’
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FeaturesJimmy Mulville, Hat Trick Productions
‘I’m open-mouthed that this Tory government thinks it’s a good plan to flog off this unique institution like some secondhand Volvo’
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FeaturesNeil Crombie, Swan Films
‘When you pitch to C4, it’s always: what’s novel about this? What different experiences and perspectives are we going to see?’
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FeaturesKate Little & Claire Poyser, Lime Pictures
‘C4’s dedication to providing content to minority audiences is critical to ensuring that UK broadcasting includes the widest range of voices’