All Broadcast magazine analysis articles – Page 7
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FeaturesIn Conversation: Manda Levin & Lars Blomgren on the state of scripted
Senior drama figures swap notes on the state of scripted production, from securing funding to working in different territories
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FeaturesGrowing up fast: the rise of AvoD
Though still to make a mark in the UK, AVoD platforms have exploded in the US, with those offering a ‘lean-back, linear experience’ the most in demand
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FeaturesSlow progress on industry diversity
A year after a wave of major representation commitments by the UK’s biggest broadcasters, there is still much to do
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Features9/11: One Day In America
‘We knew we had a responsibility to show what happened without sanitising the truth because so many of these deaths were horrendously violent’
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Features9/11: Inside The President’s War Room
‘The film is a unique attempt to capture the emotions, arguments and dilemmas at the top of government when faced with an unprecedented attack’
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FeaturesIn The Shadow of 9/11
‘These men spent years in prison cells thinking about what happened and were able to give considered, thoughtful accounts of a crazy situation’
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FeaturesSurviving 9/11
‘I wanted to make a very personal film about ordinary people caught up in an extraordinary event’
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Features9/11: the day that changed everything
Arthur Cary, Dan Reed, Daniel Bogado and Adam Wishart discuss their approach to their docs on the 20-year anniversary of the tragedy
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FeaturesDavid DeHaney, Proper Content
‘The main reason I’m concerned about privatisation of C4 is the potential loss of risk-taking. C4 is the primary terrestrial incubator of innovation’
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FeaturesJimmy Mulville, Hat Trick Productions
‘I’m open-mouthed that this Tory government thinks it’s a good plan to flog off this unique institution like some secondhand Volvo’
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FeaturesNeil Crombie, Swan Films
‘When you pitch to C4, it’s always: what’s novel about this? What different experiences and perspectives are we going to see?’
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FeaturesKate Little & Claire Poyser, Lime Pictures
‘C4’s dedication to providing content to minority audiences is critical to ensuring that UK broadcasting includes the widest range of voices’
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FeaturesAndy Harries, Left Bank Pictures
‘If Channel 4 had not rescued The Deal, it is almost certain The Crown would not have existed’
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FeaturesIndie sector speaks up to save Channel 4
Six indie bosses offer passionate defences of C4 – recalling how it boosted their careers &, kickstarted the independent production sector
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FeaturesHow best to call out bullying in TV
Freelancers have more options than ever for reporting bad behaviour, but navigating the array of different services offered can be challenging
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FeaturesJay Francis, freelance online editor
‘It’s important that TV reflects the society in which we live’
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FeaturesRamy El-Bergamy, head of development, Lifted
‘Ethnicity and disability are not mutually exclusive’
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FeaturesCeline Fitzmaurice, series producer
’It’s too easy for companies to ignore the issue of disability’