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January 2025
The latest issue reveals the industry’s best employers, how UKTV plans to gets bold and bullish and the story behind Brian And Maggie
Broadcast Best Places to Work 2025
Putting staff welfare first
Building a business for everyone
Taking perks seriously
Creating a better balance
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Chris Curtis: Netflix’s mainstream ambition should reassure its UK rivals
The end of peak spending and broad appeal of UK content should generate renewed optimism
Broadcast Magazine
Brian And Maggie: How Baby Cow shrugged off co-pro woe
Executive producer Sarah Montieth reveals how this British drama about Brian Walden’s infamous interview with Margaret Thatcher made it to screen
UKTV talks tough as BVoD blossoms
Richard Watsham and Andrea Amey discuss the broadcaster’s 2024 revamp, renewed focus on original drama and narrowing the gap with rivals
The Assassin: Delivering a killer co-pro
Exec producer Daisy Mount and commissioner Hannah Blyth on talent, co-pros and filming on location in Greece for Prime Video’s comedy drama
Dope Girls: Living the high life in post-WWI London
Shannon Murphy reveals how Bad Wolf drew inspiration from costumes and photos of the era to recreate the hedonistic world of Soho at the end of WWI
Lifetime on hunt for zeitgeist content with a female focus
US broadcaster is looking for shows that provide ‘watercooler moments’, in the vein of Surviving R. Kelly and The Life & Murder Of Nicole Brown Simpson
End Credits: Tom Clark
The ITV Studios exec on farm life, zip-lining and Jonny Wilkinson
Providing the skills for an AI future
The HETV Skills Fund is investing in tailored training to ensure the industry’s workforce is ready and able to embrace the latest technology
The merging of cine and broadcast cameras
Sponsored: Filmmaker Sebastien Devaud speaks to Broadcast Tech about the future of cine cameras