All Apple articles – Page 16
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NewsSee-Saw hails broadcasters’ bold ambitions
Apple TV+ supplier lauds traditional broadcasters’ willingness to push the boundaries
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NewsApple TV hosts Nick Jr. preschool app
Learning subscription service features characters from shows such as Paw Patrol
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CommentPressure on at Disney as Chapek takes reins
Kate Bulkley assesses how outgoing chief executive Bob Iger will work with successor Bob Chapek to secure his legacy
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FeaturesITV: Editorial strategy wins praise
Broadcaster spent £250m on indie commissions in 2019, up £25m on last year
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FeaturesLeft Bank leads international charge
The Crown producer was the biggest supplier of international programming in 2019
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NewsUma Thurman to lead Apple remake of Israeli drama
Jay Hunt orders Keshet adaptation of its 2015 thriller False Flag
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NewsITV wants answers from Sky
Chief exec questions intentions over PSB review and reiterates call to safeguard prominence
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NewsWFTV reveals mid-career mentoring scheme details
Twenty women selected across directing, producing, script editing and development
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NewsNatural history set for golden era
Sky channel launch plus appetite from Netflix and Disney+ fuels major boom in the genre
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NewsWomen in the lead to replace Tony Hall
Charlotte Moore, Alex Mahon and Jay Hunt seen as best-placed candidates as early industry speculation over successor begins
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NewsApple TV+ picks up Pulse’s Beastie Boys doc
Spike Jonze feature to premiere on SVoD platform in April
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NewsApple TV+ inks deal with HBO vet Richard Plepler
Five-year production pact spans original series, features and documentaries
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NewsApple drama lands three Golden Globe noms
The Morning Show is up for best TV drama series in annual US awards
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CommentByrne, BritBox and a fresh prince
Broadcast looks back on a year of SVoD launches, licence fee rows and a car-crash interview
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NewsSee-Saw hires Killing Eve exec
Elinor Day also worked on upcoming Kudos/72 Films drama Responsible Child
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CommentNetflix must adapt to flourish
With just a single revenue stream, the streamer is in a tough spot, says Simon Woodcock
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