Point to the week of 9/11 programmes without using footage of the attacks that viewers have seen.

Creative Nat Geo in-house/Neon

Client National Geographic

Brief Point to the week of 9/11 programmes without using footage of the attacks that viewers have seen.

How it was done Each frame was the result of a variety of disciplines, such as 3D geometry to 2D matte painting. Camera information was passed back and forth between Nuke and Cinema 4D, After Effects and PF Track to create a continuous move, with some elements created and manipulated in Photoshop.

Watch it Now on National Geographic

 

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