How we captured Tanzanian elephants in total darkness
Visualising evil: how we brought viewers into the world of John Smyth
How we tackled the scale and scales of The War Between the Land and the Sea
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Collaboration musn’t be used as a euphemism for exploitation
Expecting development producers to accept they may only get paid if a show is made will squeeze them out, an anonymous freelancer warns
Indies need to talk to each other if we want to thrive
Curve Media chief executive Camilla Lewis on what she learned from bringing together 60 of the top unscripted indies
Netflix’s takeover of Warner Bros is a threat to jobs and entertainment diversity
Head of Bectu Philippa Childs says the impact of the deal could go far beyond workers’ terms and conditions
