Features – Page 68
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Behind The ScenesNothing Like a Dame, BBC2
When four doyennes of British stage and screen gather to talk about their life experiences, it’s best just to let the cameras roll, says Anthony Wall
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FeaturesThe secret to making it in the US
If you want to win a commission from an American network, first you need to understand how they work
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Behind The ScenesAttenborough in 360 degrees
Before we captured the great man as a hologram, we first needed to test the technology on his trademark shirt, says John Cassy
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Behind The ScenesBritain's Best Home Cook, BBC1
How do you create a sustainable production when you have 30 kitchen appliances running at once? Rosa Brough explains
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Behind The ScenesBehind the scenes: Heathrow: Britain's Busiest Airport
Breathing new life into an old favourite
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![Cocaine_Britain'sEpidemic_Ep1_04[2]](https://d11p0alxbet5ud.cloudfront.net/Pictures/100x67/5/8/0/1281580_cocaine_britainsepidemic_ep1_042_921373.jpg)
Behind The ScenesCocaine: Britain's Epidemic, Channel 5
Avoiding glamourisation, protecting anonymity and ensuring the team’s safety: William Fairman on the challenges of making drugs docs
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Behind The ScenesFatberg Autopsy: Secrets Of The Sewers, Channel 4
Flushing out the secrets of London’s sewers
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FeaturesHot Picks: Mip TV's best formats
The hottest unscripted properties include Ellen DeGeneres’ Game Of Games and NBC’s high-octane Grudge Match
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FeaturesDate Night
“Date Night takes a universal concept of love, dating and romance and makes it accessible”
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FeaturesCleaning Up
“It’s a piece about our time and the inequality in our world – but it is also very funny”
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FeaturesAction Team
“Imagine the Mission Impossible team but they are British, completely inept, and no way as cool”
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FeaturesBig Bounce Battle
“Big Bounce Battle is cooler and younger than Wipe Out and Ninja Warrior. It feels exciting to watch”
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FeaturesBasquiat - Rage to Riches
“The doc would work well in any slot interested in culture, as well as on educational platforms”
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Behind The ScenesConspiracy Files: Murder in Washington, BBC2
Cutting through the misinformation around an unsolved crime was a sharp lesson in how modern media works, says Charlie Mole
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