Comment – Page 5
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CommentDrama boom spreads east
You’d be forgiven for feeling like you blink once and you’re back on a plane heading to another Mipcom
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CommentYou need more than a good idea
Production expertise is a critical factor in protecting new formats, says Sarah Edwards
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CommentLearn the jargon for US success
Knowing how American audiences are defined is key to tapping the market, writes Hannah Bowler
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CommentA tale of two pre-Mipcom deals
Netflix’s swoops for Bodyguard and The Circle are a sign of the times
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CommentWhy Sky is worth £30bn to Comcast
Acquisition gives US cable giant more ammunition in battle with tech players, says Kate Bulkley
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CommentPlan now for life after Brexit
If you employ EU nationals, here’s what you need to know, writes Nick Hobson
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CommentFinland’s voice is growing louder
With high production values and bigger budgets, international interest is soaring
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CommentThe magic formula for short-form
NewTV’s ‘freemium’ model could be the key to mobile video success, says Kate Bulkley
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CommentPower swings to rights holders
Discovery’s PGA Tour deal highlights rise of direct-to-consumer offerings, says Kate Bulkley
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CommentMedia landscape is changing fast
Sir Martin Sorrell has left WPP and Facebook is under fire. What’s next? asks Kate Bulkley
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CommentGoing gets tough for Aussie docs
Ambition remains intact but securing financing is increasingly hard, says Lilla Hurst
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CommentThe rise of Asian factual production
The continent is increasingly open to co-pros, says Julian Chou-Lambert
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CommentDigital firms go back to the future
Facebook is looking to use familiar formats in innovative ways
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CommentShort-form content comes of age
Recognition at Emmys shows industry is finally taking format seriously
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CommentTurning the MTV EMAs into a multi-media phenomenon
Social media, streaming and HD have transformed the blockbuster music event over the past 21 years, writes Richard Godfrey
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CommentThe media fightback starts here
Traditional players are finding new ways to take on their digital rivals
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CommentApple’s statement of intent
Jay Hunt’s appointment feels like a transformative step on the path to the digital future
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CommentThe UK will always be the home of good TV
With Brexit looming, why has a French indie launched in the UK? Samuel Kissous explains
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CommentCanada rises to Netflix challenge
The country’s relationship with the SVoD service is an example to us all, says Kate Bulkley
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CommentLook overseas for a way to beat the uncertainty of Brexit
Weak pound makes buying British attractive for foreign broadcasters, says Danny Fenton