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CommentJames Durie: How a Leonard Cohen biopic became a case study in co-pro
For So Long, Marianne, Cineflix had to bring on board 16 different funding partners to get the project over the line
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CommentSafety first in a new era for scripted
International editor John Elmes highlights the programmes likely to make the biggest splash in Cannes
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CommentA battle to come through hard times
“Many report that there is now an expectation for distributors to plug big financing deficits, particularly for scripted programming”
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CommentBritish and Irish co-pros just make sense
As neighbours we already have so much in common - and there’s never been a better time to collaborate, says Julianne Forde
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CommentSector shows resolve amid the downturn
‘The current downturn is the most acutely felt, but is helping producers and distributors laser-focus on their strengths’
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CommentExploring the growing appeal of Asia
Documentary agent Moray Coulter shares his experiences of a trip to Asia TV Forum
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CommentComedy and local content out in force
International editor John Elmes highlights which programmes are likely to make biggest splash in Cannes
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CommentA great year but challenges ahead
“Many report that there is now an expectation for distributors to plug big financing deficits, particularly for scripted programming”
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CommentTweaks to distribution models point to more flexible future
Format deals are back with a bang thanks to the fresh thinking and bold partnership behind The Traitors
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CommentFactual leads the charge in Cannes
“Unscripted programming is the driving force as documentary accounts for half our Hot Picks”
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CommentCompetition in the streaming business is growing FAST
Revenues from free-ad supported TV channels are predicted to triple by 2027 and the battle is on to win the biggest share, says Kate Bulkley
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CommentHow collaboration is beaming the UK’s biggest cultural moments across the globe
YouTube UK and Ireland managing director says partnerships between live events, traditional TV and online platforms represent the future
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CommentMike Darcey: Bob Iger has his work cut out to bring back Disney magic
The problems the former chief executive has been brought back to fix are the result of his own strategic calls
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CommentMipcom returns bigger and bolder
International editor John Elmes highlights which programmes are likely to make biggest splash in Cannes
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CommentThe industry must protect its ability to collaborate across Europe
Director Alex Jacob argues European co-production is a brilliant experience - but Brexit is making it difficult
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CommentPitching shows in the US is a whole new ball game
I’ve had to quickly master new terminology and working practices in a country where the deal is king, says Roy Ackerman
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CommentMipcom returns in full force to an industry in a state of flux
The production boom continues apace, but industry is grappling with a raft of new challenges
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CommentGrowth returns but sector feels economic pinch
“Fighting consolidation and competing for programming, a growth story is a good story and UK distributors have stepped up once again”
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CommentHow Ukrainian film crews are adapting to the reality of war
Ukrainian film crew and facilities companies have mobilised in response to the Russian invasion writes filmmaker Robbie Fraser
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CommentFactual and formats to the fore at Mip TV
‘In the fight for eyeballs, the supremacy of drama is being eroded’