The Finish Line launches Production Buddy platform
Peace joins runVT as senior post producer
MediaCity Studios invests in Avid Stream IO
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The Edit bolsters audio dept with Sam Castleton
Brighton-based post house hires former Clear Cut, Halo and Splice dubbing mixer
Post uncovered: Vine FX on Enola Holmes (Netflix)
Cambridge-based VFX house produced 150 shots for Legendary production
What is Gaussian splatting?
Alex Dewar, lead capture technician at Clear Angle Studios, explains what the new VFX technique entails
Taking care of mental health in the edit suite
Liam Camps at Woodcut Media reflects on facing a family health crisis mid-production and makes the case for a more open approach to mental health in post-production
RunVT strengthens team with two Fifty Fifty hires, Joe Stabb and Gavin Allingham
Joe Stabb joins as head of creative colour and Gavin Allingham comes aboard as a senior dubbing mixer on a long-term freelance basis
Post uncovered: The Look on Rivals (Disney+)
The Look developed a richer, more nuanced visual language for the second season of Disney+’s Rivals
Post uncovered: MediaCity Post on The Blame (ITV)
MediaCity Post delivered a UHD HDR grade and bespoke remote workflow across London and Manchester
Iberia to live stream eclipse from 10,000 metres altitude
The eclipse will be captured during a flight at more than 10,000 metres altitude, with footage distributed worldwide via Starlink and TVU Networks’ cloud platform
UFO launches in London with remote audio post platform
The audio post-production house is built around a proprietary remote session platform using custom-calibrated headphones
Freispace adds physical media tracking
Post-production scheduling platform can now track drives, LTO tapes, and ingest workflows
Beamr to demo AI upscaling that turns HD into 4K streams at IBC 2026
It converts existing HD sources to 4K using NVIDIA Video Super Resolution and its own content-adaptive bitrate encoding
Tom Stow joins Storm as finishing editor
Stow has been in the indusrty for over a decade with Roundtable, Evolutions and others
Judges revealed for Broadcast Tech Innovation Awards 2026
Senior figures from Netflix, Disney, Banijay, Sky, BBC, ITV, the EBU, Hearst Networks and more to judge
Freefolk launches new colour department
Five colourists join team to act as a freelance collective
Untold Studios appoints Adrianna Cohen as president of film & episodic VFX
Cohen has previously worked at Blue Sky Studios, Fox Animation, Mikros Animation, and McKinsey
John McVay emerges at AI training platform
Ex-Pact chief will fight to standardise skills training at AIMICI
Stingr launches second screen interactivity app at MPTS 2026
MPTS 2026: Riedel presents a new standard in audio production
MPTS 2026: Hollyland displays wireless audio & video ecosystem
MPTS 2026: Boland unveils new monitor
MPTS 2026: Argosy to exhibit infrastructure range
MPTS unveils first 130 speakers for tenth anniversary event
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Broadcast Tech Talks: Is cloud right for every production?
Recorded live at the Broadcast Tech Cloud Innovations Forum, this panel features industry experts debating the merits of cloud versus local and hybrid workflows
Broadcast Tech - Spring 2026
Click the magazine to read about MPTS 2026, traditional TV companies’ efforts to partner with creators; the new types of content being produced with AI; sustainability in post-production; producing for US networks from the UK; what’s happening with Welsh studios; how VFX is approaching AI; and more