Avid launches Pro Tools 2025.10
Beatoven.ai unveils AI sound effects generator
Harbor rolls out FilmLight’s Nara across its US and UK facilities
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Slapshot unveils AI camera tracking
It reduces tracking that might have taken a day or more to do manually to under 10 minutes, says Slapshot’s maker
Virtual production scoop for CBeebies’ The Great Ice Cream Hunt
The show is the first made for CBeebies using virtual production to blend traditional physical filmmaking with digital environments
Netflix merges Scanline VFX into Eyeline
The combination of the two companies enables them to pioneer new tools, facilitate creative collaboration, and drive the future of filmmaking, says Netflix
VFX Uncovered: BlueBolt on Downton Abbey: The Grand Finale
VFX house produced 138 shots for Julian Fellowes’ cinematic conclusion to TV show
Ivors Academy aims to stop ghostwriting in music for TV and film
The Academy’s End Ghostwriting campaign aims to ensure every media composer is credited, better protected and paid fairly
Dirty Looks hires Jones as head of imaging & technical solutions
Jones formerly co-owned Roundtable Post
Jumbuck bolsters team with Timms
Re-recording mixer joins after almost six years with Formosa
Red Bee adds Pryor as marketing director
Pryor joins after roles with the likes of base, Grabyo, and The Football Association
Broadcast Tech Innovation Awards 2025 - Shortlist revealed
The winners will be revealed at the Awards gala dinner at The Brewery, London on 27 November 2025
Post uncovered: Union VFX on Dept Q (Netflix)
Effects included a TV being smashed through a window, landing on a car, a CG roof extension and a series of computer game-style police animatic shots
Lee Ballinger joins Jigsaw24 as head of media sales
He has more than 25 years of experience in the media and entertainment industry
Hollyland launches audio-visual range
Sponsored: Monitors, camera and intercom system included in new range of products
Capital City College opens Mosaic@Soho creative hub
The central London facility has green screen spaces, podcast suites, grading rooms, a virtual production suite, animation and sound stages
Why we need to approach AI with a human agenda
Joe Lewis at The Voiceover Gallery says that when we embrace AI – not as a replacement, but as a tool – the future doesn’t feel quite as bleak
The Basics: From 30 lines to 8K UHD a brief history of television resolution
Darren Deans, media and broadcast marketing specialist, explores the evolution of television resolution
Beatoven.ai unveils AI sound effects generator
The company says it provides fairly trained generative AI cinematic sound effects
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MPTS unveils a host of new features for 2026
Two weeks to go until MPTS 2025
MPTS 2025: LucidLink to display latest collaboration updates
MPTS 2025: Jigsaw24 Media to showcase tech for post, production & agencies
MPTS 2025: Fujifilm to exhibit Kangaroo Lite
MPTS 2025: freispace to launch in the UK
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Podcast: What AI means for media businesses
The full live recording of one of the keynote sessions at the AI Creative Summit at BFI Southbank on 6 November 2024
Broadcast Tech - Autumn 2025
Click the magazine to read about IBC 2025; the rise of video podcasts; the risks & opportunities of AI; the state of sustainability in post & VFX; cine cameras used in live broadcasts; how an AI production studio works; training in post-production; how VFX needs to change gear; and more