Best Drama Programme: What It Feels Like for a Girl
‘A powerhouse of a series’
Rogan Productions will keep ‘social purpose’ in drama output
James and Soleta Rogan open up on Grenfell: Uncovered indie’s move into scripted
The Witness: How Blackhill protected Netflix drama’s child protagonist
Creative director and exec producer Sarah Brown on creating a safe, nurturing environment for the five-year-old actor playing ‘young Alex’
From hospital to courtroom: why scripted TV’s next boom is legal
Banijay’s Steve Matthews argues that turning to trusted genres is not laziness but an evolutionary necessity
